| ID | 125184 |
| Title Proper | Sound of racial feeling |
| Language | ENG |
| Author | Radano, Ronald |
| Publication | 2013. |
| Summary / Abstract (Note) | Critics continue to debate the value of U.S. black music according to a flawed distinction between racial authenticity and social construction. Both sides have it half-right. Black music's value arose historically as the result of a fundamental contradiction in the logic of race tracing back to the slave era. As "Negro" in form, the music was constituted as the collective property of another property, a property-in-slaves. The incongruity produced a perception of black music as an auditory form embodied with fleshly substance, and this sense of racial feeling would live on despite its inconsistencies with modern ideas about race. |
| `In' analytical Note | Daedalus Vol. 142, No.4; Fall 2013: p.126-134 |
| Journal Source | Daedalus Vol. 142, No.4; Fall 2013: p.126-134 |
| Key Words | United States ; Black Music ; Racial Authenticity ; Social Construction |