| ID | 129240 |
| Title Proper | Reckoning |
| Other Title Information | after decades of censorship, Burma's filmmakers probe their country's dark past. |
| Language | ENG |
| Author | Wade, Francis |
| Publication | 2014. |
| Summary / Abstract (Note) | L in Sun Oo doesn't take his eyes off the field and forest before him -- the rich green grass and the leaves on the lush trees stand, almost obediently, as still as statues. It is quiet. It is motionless. It is going to be the perfect shot, he thinks. To the right of him, his cameraman patiently peers into a viewfinder and, with a few careful adjustments, locks the image into focus. Before long, a thin pole of a man -- an elderly farmer named U Thaung Khaing, whose tanned, wrinkled hands are weathered from decades of working the land in central Burma -- inches into view. Barefoot and dressed in a brown longyi, white button-down shirt, and straw hat, he glides along a winding dirt path that slices through the dominant green in the shot. The producer exhales. The scene is exactly what he had envisioned -- and will be the perfect opener for his upcoming documentary. In Lin Sun Oo's film, U Thaung Khaing's soft voice narrates a moving portrayal of Than Bo Lay, a village in Magway district, where, in 2010, the regime confiscated land from the area's farmers. During the military's rule, the regime regularly appropriated property for its development projects, while offering little or no compensation to those who relied on the fields for their livelihoods. |
| `In' analytical Note | Foreign Policy Vol. , No.205; March-April 2014: p.74-78 |
| Journal Source | Foreign Policy Vol. , No.205; March-April 2014: p.74-78 |
| Key Words | Military's Rule ; Myanmar ; Burma ; Political Regime ; Development Projects ; Social Reform ; Censorship ; Filmmaker ; Contemporary Myanmar ; Contemporary Political Condition |