| ID | 151669 |
| Title Proper | Stand-in as a performative repertoire of action |
| Language | ENG |
| Author | Derman, Özge |
| Summary / Abstract (Note) | Numerous rallies, gatherings and occupations in public squares of large cities have occurred since 2010. They constitute a new guideline to new social movements, which embrace a transformation in public spaces through interaction, shared experience and art so that a collective energy is generated within a given context and time. They therefore propose an alternative form of acting and living together in the light of the equality of all individuals involved. The re-creation of this new active citizenship, both individually and collectively, is also highly connected with the appropriation of a performative repertoire of action within everyday life. This paper focuses on the active, yet unorganized participation of Turkish citizens across the country to the protestation and/or performance of the Standing Man. Standing still and silent offers thus a performative action, which has become collective through social networks. This unpredicted act has been a pioneer in terms of the transformation of a singular creative intervention to a collective performative action. |
| `In' analytical Note | Turkish Studies Vol. 18, No.1; Mar 2017: p.182-208 |
| Journal Source | Turkish Studies 2017-03 18, 1 |
| Key Words | Standing Man ; Gezi Uprising ; Artistic Intervention ; Performative Action ; Occupy Movements |