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ID:
135916
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| Summary/Abstract |
Peaceful protests in Bahrain, the small island nation in the Persian Gulf, began in February 2011, shortly after the Arab Spring erupted in Tunisia. The situation quickly devolved as Bahraini riot police used tear gas, rubber bullets, and live ammunition on protesters. After several months, the country’s ruler, King Hamad bin Isa Al Khalifa, established the Bahrain Independent Commission of Inquiry (BICI), which found that the court system had convicted hundreds of people who were exercising their right of freedom of assembly. Despite the commission calling for the release of these prisoners, a May 2014 Human Rights Watch report concluded that little has changed since 2011. Restricted press freedoms have also led to severe crackdowns on photographers and journalists who have used social media to cover the unfolding events. Several award-winning photographers remain in prison, including Hussain Hubail and Ahmed Humaidan, who are serving five and ten-year sentences, respectively. A third photographer, Sayed al-Mousawi has been detained since February of this year. A collection of photographs taken by the trio is published within this issue of the Journal. Meanwhile, civil unrest and demonstrations continue against King Hamad. The Journal of International Affairs also spoke with ex-detainee and photographer Mohammed Al Oraibi from Bahrain to give some context to the situation that media professionals currently face.
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| 2 |
ID:
134261
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| Summary/Abstract |
This introductory essay raises a range of issues that have emerged as studies of South Asia culture, society and history have taken a ‘visual turn’. This special of South Asia deliberately juxtaposes articles that would not ordinarily be read together, as they treat art history, history, anthropology and literary studies to underscore their shared interest in visual evidence produced at moments of crucial change. In the process, we hope to expand both the larger scholarly community's understanding of ‘visual culture’ and the potential for analysts of South Asia to trace interconnections and influences on the changing subcontinent through its very specific, if widely deployed, visual culture.
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