| ID | 105287 |
| Title Proper | Manufacturing authenticity |
| Other Title Information | the cultural production of national identities in Singapore |
| Language | ENG |
| Author | Chong, Terence |
| Publication | 2011. |
| Summary / Abstract (Note) | According to Prasenjit Duara, the sacredness of the nation hinges on its 'regimes of authenticity' where timelessness and the politics of embodiment are key to an authentic national identity. This paper looks at three different cultural impulses that have attempted to manufacture authenticity in Singapore. They are: the Malay literary movement Angkatan Sasterawan 50 prior to independence; the state-sponsored Confucian ethics discourse during the 1980s; and the romanticization of the working-class 'heartlander' through contemporary popular culture in confrontation with the politics of global capitalism and globalization. In doing so, this paper articulates the difference between the regimes of authenticity of state elites and non-state cultural producers, as well as their 'national imaginaries'. It concludes that the regime of authenticity, that operationalizes the representations of the working class as a diametric opposite to the logic and force of globalization, offers the most popular symbols of national identity in Singapore. |
| `In' analytical Note | Modern Asian Studies Vol. 45, No. 4; Jul 2011: p877-897 |
| Journal Source | Modern Asian Studies Vol. 45, No. 4; Jul 2011: p877-897 |
| Key Words | Cultural Identities ; Singapore ; Identities Singapore ; Junzhi ; Popular Culture |