| ID | 118536 |
| Title Proper | Samson's suicide |
| Other Title Information | death and the Hebrew literary canon |
| Language | ENG |
| Author | Harris, Rachel |
| Publication | 2012. |
| Summary / Abstract (Note) | Drawn from the biblical narrative, the image of Samson came to be used as a depiction of the self-sacrificing nationalistic ideal that dominated Zionist ideology. Though much has been said about the popular and widespread use of this image in Israeli society and culture, I contend that it was not solely his heroism, strength, and symbolic identity as the new Jew that marked this biblical figure for reuse in popular forums, but that his final suicide (martyred sacrifice) underpinned the drama of the Samson narrative. The symbolism of Samson soldiers willing to sacrifice themselves for the modern nation state altered as attitudes towards sacrifice for the collective changed. The heroism of the Samson myth collapsed, and subsequently was inverted, becoming a powerful tool for criticizing the Israeli military hegemony. This article traces a literary history of the changing narrative of the archetypal Samson. |
| `In' analytical Note | Israel Studies Vol. 17, No.3; Fall 2012: p.67-91 |
| Journal Source | Israel Studies Vol. 17, No.3; Fall 2012: p.67-91 |
| Key Words | Zionist Ideology ; Samson's Suicide ; Israel ; Israeli Society ; Symbolic Identity ; Jew ; Heroism ; Israeli Military Hegemony |