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ID125668
Title ProperEmerging christian media in Egypt
Other Title Informationclerical authority and the visualization of women in coptic video films
LanguageENG
AuthorArmanios, Febe ;  Amstutz, Andrew
Publication2013.
Summary / Abstract (Note)This article examines the depiction of women and gender within Coptic Orthodox video films or "hagiopics" produced between 1987 and 2010. As part of a recent religious renewal, hagiopics have expanded, altered, and reinvented traditional stories of saints and pious figures and have also generated, within this traditionally patriarchal setting, a wider space for the articulation of female voices. While their inclusion can be seen as potentially empowering for women, this paper suggests that during Pope Shenouda III's reign (1971-2012), the films became a powerful vehicle for broadcasting the church's conservative teachings on female power and authority, marriage and marital dissolution, spousal abuse, and femininity. By highlighting an array of exemplary female characters, hagiopics capture women's role as custodians of a distinctive Coptic ethos and of family and communal cohesiveness. The films' emphasis on women's physical modesty, submissiveness, and obedience to male figureheads also hints at the modern church's anxieties about women's increasing autonomy in choosing marriage partners and their growing demands for more equal treatment within the church.
`In' analytical NoteInternational Journal of Middle East Studies Vol.45, No.3; 2013: p.513-533
Journal SourceInternational Journal of Middle East Studies Vol.45, No.3; 2013: p.513-533
Key WordsChristian Media ;  Egypt ;  Clerical Authority ;  Coptic Video Films ;  Coptic Orthodox ;  Video Films ;  Hagiopics ;  Coptic Women