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ID126933
Title ProperExploring the city in the cinema of Bahram Beyzaie
LanguageENG
AuthorPak-Shiraz, Nacim
Publication2013.
Summary / Abstract (Note)This article explores five of Bahram Beyzaie's urban films over the last four decades to study their critique of the process of modernization and social changes that have taken place in Iran. These include The Journey (Safar, 1972), The Crow (Kalagh, 1977), Maybe Some Other Time (Shayad Vaqti Digar, 1987), Killing Mad Dogs (Sag Koshi, 2001) and When We Are All Asleep (Vaqti Hame Khabim, 2009). It examines the impact of modernization on the architecture and landscape of the city and consequently on the local community. It then studies the increasing complexity of ascertaining the real and unreal within the city. Finally, it looks at the changing values, the fears and threats within the city and the impact these have on its inhabitants, particularly women and their movement within the city.
`In' analytical NoteIranian Studies Vol. 46, No.5; Sep 2013: p.811-828
Journal SourceIranian Studies Vol. 46, No.5; Sep 2013: p.811-828
Key WordsBahram Beyzaie ;  Cinema ;  Local Community