| ID | 142833 |
| Title Proper | Corporeality, aryanism, race |
| Other Title Information | the theatre and social reform of the Parsis of Western India |
| Language | ENG |
| Author | Nicholson, Rashna Darius |
| Summary / Abstract (Note) | Recent scholarship has problematised the ‘impact-response’ theory that ideas such as Aryanism, eugenics and militarism were merely imported from a European context into a South Asian one. This paper delineates a longer trajectory of the relationship between corporeal language and communal identity through a focus on the Parsi community of western India. As early as 1853, reformist Parsis enacted modes of ancient Kayānī virility in the gymnasium and theatre to redefine notions of communal identity that drew simultaneously from Enlightenment precepts and a mythic Aryan heritage discovered by Orientalists. Subsequently, the confluence of a loss of numerical, financial and political strength, and the popularisation of the ideas of Darwin and Mendel, prompted a shift in ethnic and semantic thinking, whereby the language of corporeality was co-opted by the orthodox faction to justify the bifurcation of religion and race. Consequently, Parsis, in the midst of a rising Hindu nationalist movement, called not only for the revival of Persian epic theatre, a Parsi militia, the exclusion of ‘half-castes’ from the community and the castration of ‘mentally defective’ community members, but also for a renewal of ties to Iran and a separate state of Parsistan. |
| `In' analytical Note | South Asia: Journal of South Asian Studies Vol. 38, 4; Dec 2015: p.613-638 |
| Journal Source | South Asia: Journal of South Asian Studies 2015-12 38, 4 |
| Key Words | Militarism ; Race ; Bombay ; Reform ; Theatre ; Aryan ; Parsi ; Corporeality |