| ID | 144167 |
| Title Proper | Aesthetics of arrival |
| Other Title Information | spectacle, capital, novelty in post-reform India |
| Language | ENG |
| Author | Kaur, Ravinder ; Hansen, Thomas Blom |
| Summary / Abstract (Note) | India’s celebrated ‘arrival on the global stage’ as a desirable ‘emerging market’ for global investors signals the spectacular moment that is said to have ruptured the barriers between the first and third worlds. If the notion of arrival anticipates the long-awaited acceleration in the pace of history, it also harnesses a euphoric India to the limitless future promised by the new. In this special issue, we set our focus on the aesthetics of arrival that signal novelty, visibility and celebration of post-reform India within and outside the nation. We ask how novelty is manufactured and experienced when the majority of the population remains excluded from new India. The answer probably lies in the way in which this other India is signified as the past, as ‘old India’ that holds back the nation. The novelty, we propose, is not only experienced in the promise of the future, but also in the aesthetic force of the promise to overcome a humiliating past, tainted by colonialism, in order to realise a truer and more timeless ‘new’ India |
| `In' analytical Note | Identities: Global Studies in Culture and Power Vol. 23, No.3; Jun 2016: p.265-275 |
| Journal Source | Identities: Global Studies in Culture and Power 2016-06 23, 3 |
| Key Words | Globalisation ; India ; Aesthetics ; Neoliberal Reforms ; Spectacular Economy ; Novelty |