| ID | 153219 |
| Title Proper | Artistic fallout from the July 2006 war |
| Other Title Information | momentum, mediation, and mediatization |
| Language | ENG |
| Author | Hout, Syrine |
| Summary / Abstract (Note) | A decade after the end of Israel's 2006 war on Lebanon, I spotlight the hitherto under-researched literary portrayals of the conflict. Following an overview of the immediate and (then-) innovative media tools and techniques used to capture its momentum—blogging, video-making, and online comics—and of Arabic-, French-, and English-language literary writings referring to the war, I focus on how literature, which requires time for its “contents” to be distilled into a form removed from emotional immediacy, succeed not only in reflecting it but also in reflecting on it through various fictional(izing) prisms. I do so by comparing the methodologies adopted by Nada Awar Jarrar's A Good Land and Abbas El-Zein's Leave to Remain: A Memoir, both published in 2009, and by arguing that they share a sense of guilt and hence exhibit an ethical exigency by incorporating particular discourses to mediate and mediatize this war as crisis: the social/humanitarian in A Good Land and the visual/photographic in Leave to Remain. |
| `In' analytical Note | Arab Studies Quarterly Vol. 39, No.2; Spring 2007: p.793-814 |
| Journal Source | Arab Studies Quarterly Vol: 39 No 2 |
| Key Words | Journalism ; Israel ; Lebanon ; Literature ; Digital Media ; July 2006 War |