| ID | 168178 |
| Title Proper | Producing Chinese Urban Landscapes of Public Art |
| Other Title Information | the urban sculpture scene in Shanghai |
| Language | ENG |
| Author | Zheng, Jane |
| Summary / Abstract (Note) | This article uses an “urban landscapes” perspective to examine the urban sculpture scene and its production system in Shanghai. It reviews both the national urban sculpture discourse and urban sculpture planning practices since 1949, and then focuses on Shanghai specifically. It examines three major stakeholders in urban sculpture development and their interactions. The main argument is that Shanghai's urban sculpture scene has evolved due to the proliferation of aesthetic and symbolic sculptures as opposed to traditional monuments; however, urban entrepreneurialism and globalization have been shaped by the continuity of the Chinese ideological framework, which has transformed urban sculptures from explicit into veiled political didacticism under the guise of caring for the people.
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| `In' analytical Note | China Quarterly , No.239; Sep 2019: p.775-803 |
| Journal Source | China Quarterly NO 239 |
| Key Words | Cultural Policy ; Public Art ; Shanghai ; Urban Entrepreneurialism ; Urban Sculpture ; Public Art Planning |