| ID | 174505 |
| Title Proper | Knowing Male Subjects |
| Other Title Information | Globally Mobile Chinese Professionals and the Aesthetics of the Confucian Sublime |
| Language | ENG |
| Author | Hird, Derek |
| Summary / Abstract (Note) | This article probes the sources, manifestations, and significances of the ambivalences and contradictions in London-based Chinese middle-class male professionals’ sense of their own gendered and cultural identities in the context of China’s twenty-first century postsocialist modernity. In doing so, it shows how Chinese middle-class men’s sense of themselves connects with wider national debates about China’s orientation in the world. To make sense of the desire of some respondents “to become a Chinese gentleman,” the article introduces the notion of the postsocialist Confucian sublime, a vision of a cultural order of increasing appeal to well-educated, middle-class Chinese men. The article argues that the Confucian sublime offers globally mobile professional Chinese men the opportunity to transcend their ambivalence towards Western modernity by providing a sense of wholeness and attainment both at a personal level and in relating to China’s place in contemporary globality. |
| `In' analytical Note | China Perspectives , No.3; 2020: p.19-27 |
| Journal Source | China Perspectives 2020-07 |
| Key Words | Middle Class ; Chinese ; Ambivalence ; Masculinities ; Men ; Professionals ; Postsocialist Modernity ; Confucian Sublime |