| ID | 185179 |
| Title Proper | Indianness in Photography |
| Language | ENG |
| Author | Jerrentrup, Maja Tabea |
| Summary / Abstract (Note) | This article explores the question whether there is a specifically Indian style of photography. A survey of photography students from various institutions revealed that though there is little clarity about the actual look of an Indian style of photography, students clearly define their own photographs as Indian. Intriguingly, the focus is less on certain visual characteristics, but more on the feelings they derive from the photographs, a scenario which is reminiscent of the rasa theory. Even though this was hardly mentioned by the students, this psycho-social element seems to have left a cultural imprint but also reflects an act of claiming ownership and agency. In addition, the students identified alienating aspects in photography, such as seeing one’s own culture like an outsider, but at the same time consider it to be integrating, since photography paves the way for a deeper engagement with one’s own culture, and as such strengthens Indianness. |
| `In' analytical Note | South Asia Research Vol. 42, No.2; Jul 2022: p.285-297 |
| Journal Source | South Asia Research 2022-08 42, 2 |
| Key Words | India ; Photography ; Cultural Identity ; Aesthetics ; Cognitive Dissonance ; Rasa Theory |