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ID191938
Title ProperLiterature, Power, and the Silk Road Literary Festival
LanguageENG
AuthorIbbotson, Sophie
Summary / Abstract (Note)I have always read hungrily: English literature and works translated into English, then literature in French, Hindi and Urdu, and latterly (and with an unanticipated amount of difficulty) Russian. I revel in the prospect of an evening tucked up in bed with the words of Premchand or Ghalib, Rushdie, Allende, Pahmuk, or Shafak. I have many more books than space on bookshelves but what was missing from my reading lists, until recently, were works by Central Asian authors. Any literature lover in such a situation is missing out, but it was a particular embarrassment for me as I have spent most of the past 15 years working in Afghanistan and the Central Asian republics, and my personal and professional lives are inextricably entwined with the region. I cook non and samsa; have artworks by Uzbek, Kazakh, and Tajik artists on the walls; study and am fascinated by the region’s history and architecture; and have the most wonderful Central Asian friends and colleagues. My lack of understanding and appreciation of Central Asian literature was therefore a glaring hole in the centre of my personal jigsaw.
`In' analytical NoteAsian Affairs Vol. 54, No.1; Mar 2023: p.125-139
Key WordsPower ;  Literature ;  Silk Road Literary Festival