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| 1 |
ID:
178304
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| Summary/Abstract |
Digital platforms have become a major tool for media figures. The Internet offers the media essential tools, most notably authentic and accessible sources of information and the absence of censorship. Digital media provides media personalities with a platform that is free and fast where they can express themselves freely without ‘gatekeepers.’ Drawing on Deuze’s five-dimensional model of journalism, this article shows that for the content transfer platform, the network is characterised by a young audience, leading to more consumer confidence due to its authentic nature. It also found that platform selection relates directly to content and that media people use the network to promote agendas. In addition, their influence on social networks is greater because they are bi-directional and allow for audience reaction. As for the media figure’s personality, it was found that the success of media figures does not involve the quality of the content but the admiration of the audience. In addition, it emerged from the interviews that technological determinism affects media figure activities such that ‘the medium is the message’ – type of media dictates choice of the content transfer platform, content, and media figure personality.
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| 2 |
ID:
095224
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| 3 |
ID:
095219
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| 4 |
ID:
166146
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| Summary/Abstract |
Recent literature claims that China censors information that has the potential to ignite collective action. This article extends this finding by arguing that Chinese censors respond differently to political challenges than they do to performance challenges. Political challenges call into questioning the Party's leading role, whereas performance challenges are directed at the failures of public goods provisions. A survey experiment of about 60 media professionals finds that censors are inclined to block political challenges and to tolerate criticism of the government's performance. However, when criticism contains both performance and political challenges, censorship is far more likely. By exploring the range of censorship activities, the results suggest that the Chinese regime's reliance on popular support constrains its censorship decisions.
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| 5 |
ID:
104253
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| 6 |
ID:
100424
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| Publication |
2010.
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| Summary/Abstract |
What is the role of an artist in conflict? Unlike a journalist, an artist does not merely document the war, nor must they simply uncover the truth, argues David Cotterrell, but can subjectively interpret and mediate the range of emotions at play. Through the eyes of such observers, art therefore has a vital role to play in helping society understand the cost of war.
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| 7 |
ID:
126914
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| 8 |
ID:
102403
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| Edition |
2nd ed
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| Publication |
Karachi, Oxford University Press, 2010.
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| Description |
xv, 237p.
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| Standard Number |
9780195477245, hbk
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Copies: C:1/I:0,R:0,Q:0
Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| 055862 | 070.433/NIA 055862 | Main | On Shelf | General | |
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| 9 |
ID:
093774
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| 10 |
ID:
040518
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| Publication |
London, Pitman Publishing, 1972.
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| Description |
viii,166p.Hbk
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| Standard Number |
0273361678
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Copies: C:1/I:0,R:0,Q:0
Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| 011499 | 920.56891/PAR 011499 | Main | On Shelf | General | |
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| 11 |
ID:
105580
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| 12 |
ID:
095215
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| 13 |
ID:
127965
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| 14 |
ID:
095222
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