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| Srl | Item |
| 1 |
ID:
114088
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| Publication |
2012.
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| Summary/Abstract |
The success of norms constructivists rests in part on their assertion of academic activism as a heroic aspect of intellectual life. Critics of this vision, however, insist on the complicity of norm scholars in creating and maintaining processes of global injustice. Frustrated with this criticism, Richard Price calls for answers to a simple question: can detractors go beyond mere criticism and provide a praiseworthy target toward which norms constructivists can aim? We respond to this challenge, first, by offering an internal critique of Price's logic. We suggest that Price and other norms entrepreneurs underplay the darker, colonial side of modern ethical life on which the successes of norms cascades depend. Second, we draw on Adam Hochschild's King Leopold's Ghost to contrast contemporary norms constructivists with the heroic characters represented in and by this book. Norms entrepreneurs, Edmund Morel and Roger Casement, successfully exposed Belgian atrocities in colonial Congo, and Hochschild himself brings this mostly forgotten history to light. Yet the narrative trajectory of these three heroes is tragic, compelling each to face their complicity in the very forces they resist. This tragic vision calls us not to celebrate but to resist the continuing legacies of colonial domination.
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| 2 |
ID:
050711
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| Publication |
New York, Routledge, 2004.
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| Description |
xii, 276p.
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| Standard Number |
9780415946384
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Copies: C:1/I:0,R:0,Q:0
Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| 047698 | 303.482/INA 047698 | Main | On Shelf | General | |
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| 3 |
ID:
122651
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| Publication |
2013.
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| Summary/Abstract |
The achievements of Elizabeth Dauphinee's (2013) The Politics of Exile are highlighted by means of two juxtapositions. First, Dauphinee's book invites a contrast to novels because it takes the form of a story. Specifically, Dauphinee's portrait of the vilified 'Serbs' is compared with how the Taliban are treated in Khalid Hosseini's The Kite Runner and Nadeem Aslam's The Wasted Vigil. Second, The Politics of Exile is examined as it emerges from Dauphinee's efforts to overcome the limits of her more academic work. The advantages of Dauphinee's approach relative to our standard research are presented along five dimensions: the responsibility of closure, the purpose of narration, the transparency of the message, how the work is shown, and the role of generosity. This article critiques Dauphinee's silence on the purpose of travel. It closes by suggesting what social theory can glean from The Politics of Exile. Social theorists can learn how to theorize more systematically, to weigh the relationship between the form and content in writing more judiciously, and to probe the deeper purposes of our intellectual life-work more fully.
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