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HILL, ANDREW (3) answer(s).
 
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ID:   080667


Flying of Israeli Flags in Northern Ireland / Hill, Andrew; White, Andrew   Journal Article
White, Andrew Journal Article
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Publication 2008.
Summary/Abstract In the spring of 2002 Israeli flags began to appear in loyalist communities in Northern Ireland. The appearance of these flags was in one respect explained as a response to the increased prevalence of Palestinian flags in nationalist neighbourhoods. However, the appearance and continued display of the Israeli flag can be seen to extend beyond a "wholly relational" dynamic to encompass the connotations this flag has come to possess for those who fly it in regard to the contemporary political situation within Northern Ireland and events on the international stage in the context of the United States' post-September 11 "War on Terror." At the same time, the flying of the Israeli flag in Northern Ireland provides a graphic demonstration of the increased prevalence of political symbolism in the post-Troubles era and the way in which groups in Northern Ireland have sought to reference and draw upon similar conflict situations for their own agendas.
Key Words Northern Ireland  Peace Process  Israeli  Flags  Palestinian  Symbolism 
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2
ID:   127054


Politics of drawing: children, evidence, and the Darfur conflict / Aradau, Claudia; Hill, Andrew   Journal Article
Aradau, Claudia Journal Article
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Publication 2013.
Summary/Abstract Drawing has been largely neglected in discussions of visuality, conflict, and violence. In 2007, the International Criminal Court accepted 500 children's drawings depicting the conflict in Darfur as contextual evidence for war crime trials against Sudanese officials. Starting from this event, and the attention that the Darfuri children's drawings have garnered internationally, this article explores the role that drawings, and children's drawings in particular, play in the visualization of conflict and violence. Rather than focusing primarily on the relation between image and text, the article argues that visuality needs to be understood as both an aesthetic and social object, whose production, circulation, and reception transform its political effects. It then shows how children's drawings are both differentially produced, and productive of difference and ambivalence, in the "truthfulness" of conflict.
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3
ID:   146440


Systems of denial : strategic resistance to military innovation / Hill, Andrew; Gerras, Stephen   Journal Article
Hill, Andrew Journal Article
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Summary/Abstract Successful organizations can be extraordinarily persistent and creative in denying the obvious, ignoring signals that suggest a need to challenge key strategic assumptions. The U.S. military has been the world’s unrivaled force for twenty-five years, even lacking a peer competitor in some domains—naval operations, for example—since 1943. A danger of such sustained success is that the military might come to view these strategic assumptions not as ideas requiring continual reassessment but as enduring laws.
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