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ID:
088354
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| Publication |
2009.
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| Summary/Abstract |
The authors analyze a unique data source to study the determinants of violence against civilians in a civil war context. During the Vietnam War, the United States Department of Defense pioneered the use of quantitative analysis for operational purposes. The centerpiece of that effort was the Hamlet Evaluation System (HES), a monthly and quarterly rating of `the status of pacification at the hamlet and village level throughout the Republic of Vietnam'. Consistent with existing theoretical claims, the authors find that homicidal violence against civilians was a function of the level of territorial control exercised by the rival sides: Vietnamese insurgents relied on selective violence primarily where they enjoyed predominant, but not full, control; South Vietnamese government and US forces exercised indiscriminate violence primarily in the most rebel-dominated areas. Violence was less common in the most contested areas. The absence of spatial overlap between insurgent selective and incumbent indiscriminate violence, as well as the relative absence of violence from contested areas, demonstrates both the fundamental divergence between irregular and conventional war and the need for cautious use of violent events as indicators of conflict
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| 2 |
ID:
168493
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| Summary/Abstract |
This article analyses a mid-20th century computerized pacification reporting system, the Hamlet Evaluation System (HES), used by the US military to measure hamlet-level security and development trends in the Vietnam War. The significance of the HES was its capacity to translate US Military Advisor observations of Vietnamese hamlet life into a machine-readable format used by US military systems analysts to disclose ‘patterns of life.’ I show how US Military Advisors operated as ‘embodied sensors’ within the HES, producing a distinctive location-based event ontology – a ‘view of below’ – accompanied by rudimentary digital maps in-formation from incoming hamlet-level observation streams. I argue that acts of translating the rich texture of hamlet and village life into an objectified information format constituted a unique form of ‘epistemic violence,’ rooted not so much in the narrative subjection of the ‘Other,’ but in the pure abstraction of life into a digitally stored data trace.
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