| Publication |
2009.
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| Summary/Abstract |
The ascendance of the multiplex film theatre in India has great significance in the creation of new public space, and is part and parcel of the long-running contestation of modernity and citizenship in postcolonial India. However, while the histories of urbanism, cinema and modern politics are usefully indicative of each other, their relationship in this instance also needs to be further related to the history of leisure capital in India and, in particular, to the contemporary dynamics of the media economy. The rise of the multiplex is closely related to the re-organisation of working practices and of capital investment within the film exhibition sector. The aggregation of interests within what has traditionally been a highly fragmented industry with largely informal organisation is a result of both the entry of outside concerns into the theatrical market and of operational change within the industry itself as leading players pursue an agenda of 'corporatisation'. It is these new corporate entities, funded by institutional investors and public flotation, that dominate the multiplex business, which has arisen in marked contrast to the loose agglomeration of family-owned theatres that have previously characterised theatrical exhibition in India. As the leading multiplex brands embark upon a massive programme of expansion into India's second-tier cities, this paper provides a critical account of the emerging political economy of the multiplex paradigm.
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