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ID:
159384
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| Summary/Abstract |
In the late nineteenth century, Hindustani music and its culture arrived in Calcutta's public sphere. It was carried there as much through the migration and agency of the professional lives of the ‘ustads from the North’ as it was through the forces of coloniality, modernity and Hindu nationalism. On its arrival, the performance practice and social organisation of Hindustani music culture came face to face with the bustle of social and cultural experimentation and innovation that came to define the ‘Bengal Renaissance’. Hindustani music was certainly not isolated from this larger cultural dynamic and, over four or five decades, its practitioners were compelled to formulate a series of responses in order to negotiate the challenges which this public sphere posed to past practices of this tradition transplanted from North India to Bengal. Their responses bring into focus a number of significant issues: firstly, the nature of these responses and the consequences they had for the development of Hindustani music and its culture; secondly, the issue of the discourse of ‘modern’ Hindustani music that arose from this encounter; and thirdly, questions over whose voice(s) were represented and whose voice(s) were marginalised in the process. Finally, there is the issue of how these responses still resonate in Hindustani music practice today, as they continue to reside in and frame the contemporary musical imagination.
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| 2 |
ID:
090337
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| Publication |
2009.
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| Summary/Abstract |
Lucknow occupies a particularly poignant place in the musical imagination of North India. A city with a proud cultural history, Lucknow in the first half of the nineteenth century nurtured an explosion of innovations in vocal music, instrumental music and dance whose effects were felt well beyond the Awadh region. Memories of this sublime period of creativity are still today capable of evoking a potent sense of nostalgia amongst connoisseurs. That such memories so passionately endure is testimony to the special place that the arts occupied in the life of that city when it was the capital of a kingdom.
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