| Publication |
2009.
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| Summary/Abstract |
This paper aims to shed light on the evolution of the Jewish national language and to discuss the ways in which the cultural trends in Zionism constantly left room for the creative imagination of its adherents, and functioned in such a way as to erode its sacred dimension, thereby promoting a discourse focusing on the individual. My claim is that the Hebrew language case study may reflect the importance not only of national revisionist accounts for our understanding of the Zionist movement, but also the need for an approach that saves a place for truly creative aspects of civic engagement, and recognises the Israeli nation as one asserting, besides its ethnic ties also patriotic nexuses. Special attention will be given to the phenomenon of Hebrew poetry written by women in the 1920s as a platform from which to examine the unique meaning and evolution of language within the Jewish national movement.
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