| Publication |
2009.
|
| Summary/Abstract |
Humour and cartoons are commonly perceived as practices of innocent entertainment, but the crisis following the publishing of twelve cartoons of the prophet Muhammed in the Danish newspaper Jyllands-Posten finally proved what serious matters popular culture, cartoons and humour can be. One repercussion of this notorious cartoon crisis was the publication in Kaltio, a minor cultural journal produced in northern Finland, of a comic strip in which various questions concerning the Muhammed cartoon episode and the political hypocrisy of the Finnish government were discussed satirically. This precipitated another, albeit minor, crisis which was noted widely around the world. Through these two interlinked incidences, the present paper discusses how humour functions as a 'tool' giving impetus to various forms of geopolitical processes and discussions in a range of contextual circumstances and at different spatial levels, resulting in both politically affirmative and destructive effects. It also discusses how the geopolitical order, discourses and codes can divert the reception and interpretation of humour.
|