| Publication |
2009.
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| Summary/Abstract |
In this article I enquire into the conceptualisation and construction of the event, a topic much neglected in International Relations, but one which has become increasingly central to recent debates in continental philosophy. I juxtapose the fictional event depicted in Don DeLillo's brilliant novel, White Noise, with the non-fictional event of September 11. I suggest that apprehending any kind of socially or politically significant event, depends on narrative. To take the argument further, I argue that narrative is a crucial device by which we moderns (and postmoderns) actually experience such events and social reality.
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