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| Srl | Item |
| 1 |
ID:
144762
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| Summary/Abstract |
The recent influx of Shan migrants from Myanmar into the city of Chiang Mai, Thailand, provides the conditions for migrant public spheres to emerge. This paper explores aspects of mass-mediated forms of Shan migrant public spheres by focusing on two Shan-language radio stations, one state-run and the other a community station. While much of the literature on public spheres emphasizes the role of the media in allowing citizens to express and publish opinions, it largely excludes those who are marginal to the mainstream public sphere, such as transnational migrant populations. This paper therefore investigates the operations of two Shan-language radio programmes, the community they serve and the effects they have on that community. The paper argues for a need to re-conceptualize the notion of 'the public' as communities of interest, and to expand the notion of the public sphere to include non-citizen space.
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| 2 |
ID:
193133
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| Summary/Abstract |
Thailand’s sex industry for same-gender sexual services for men has seen a shift to a predominantly migrant workforce, particularly in northern Thailand. The majority of male sex workers in Chiang Mai are ethnic Shan nationals from neighboring Myanmar. This research explores the lives of Shan migrant male sex workers, their adaptations to and survival strategies in the pre- and post-pandemic periods. The paper employs an intersectionality approach to understand how the intersections of class, gender, ethnicity, legal status, and the larger context of transnational sexual commodification shape the ways Shan migrant men engage in sex work. Based on two sets of data collected before and after the Covid-19 pandemic, the research explores how Shan male sex workers utilize their sexualities and other forms of capital while managing a plethora of risks.
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| 3 |
ID:
095144
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| Publication |
2010.
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| Summary/Abstract |
This paper examines how ethnic Shan singers use the Burmese language to redefine their own ethnic identity, in the process helping to construct Shans' place in the Burmese national imaginary. The paper focuses on the songs of two Shan artists, Sai Htee Saing and Sai Sai Mao. These two singers have been singing in Burmese for three decades. Both have gained nationwide popularity and are now among the most famous singers in Burma's music industry. The paper consists of two parts. The first one discusses the dynamics of self-representation, examining how Shan artists select and adapt dominant discourses about them to their own task of crafting themselves. The second part investigates the audience reception of these two singers, exploring how particular groups of audience members bring their own ethnicity into interpreting a media text. Through participant observation, interviews with audiences and with the singers themselves, the author seeks to illuminate how such self-fashioning and listening practices reveal complex relations between ethnicity and the popular construction of identity.
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| 4 |
ID:
101918
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2011.
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| Summary/Abstract |
The Shan State Army-South (SSA-S) is today one of Burma's largest remaining ethnic opposition armies. This paper investigates ethnic politics of the SSA-S and their strategic use of media. It argues that Shan insurgency today has moved into a new phase characterised by its intense involvement with mass media. The paper examines, on the production side, the Shan insurgency's media products and its networking with the Thai press. On the reception side, it explores how the images of ethnic insurgency are consumed by Shan audiences living in exile, analysing how long-distance Shan nationalism is generated through the spectatorship of these 'militarised' images.
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