| Srl | Item |
| 1 |
ID:
127706
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| Publication |
DelhI, Motilal Banarsidas, 2014.
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| Description |
xxvi, 122p.Hbk
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| Standard Number |
9788120838130
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Copies: C:1/I:0,R:1,Q:0
Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| 057608 | 294.3/BEH 057608 | Main | On Shelf | Reference books | |
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| 2 |
ID:
096461
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| 3 |
ID:
042634
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| Publication |
Massachusetts, Itek Corporation, 1969.
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| Description |
viii,122p.Pbk
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Copies: C:1/I:0,R:0,Q:0
Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| 002423 | 778.35/BRO 002423 | Main | On Shelf | General | |
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| 4 |
ID:
167159
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| Summary/Abstract |
This article analyzes a set of images of the Arab-Israeli conflict, published in 1947–67 by the Italian newspapers Unità (the communist party) and Avanti! (the socialist party), in an attempt to deconstruct the messages hidden behind these photographs and challenge the dichotomies on which the visual narrations of these periodicals were based. The general thesis is that these photographs were not meant to portray the actual reality of the conflict but rather to further political interests that had little to do with it.
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| 5 |
ID:
177200
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| Summary/Abstract |
Abul Hasanat (1905–?) was one of the most widely read Bengali sexologists. Having started researching in British India, he subsequently became a citizen of Pakistan and later of Bangladesh. He continued to research and publish throughout these changing political contexts. In this paper, I explore the difficulties in adequately ‘contextualising’ Hasanat’s sexology and propose instead the notion of a ‘material sexscape’ as the appropriate frame within which to locate his work.
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