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| 1 |
ID:
100811
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| 2 |
ID:
097725
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| Publication |
2010.
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| Summary/Abstract |
This article examines the literary strategies that shape contemporary Dalit fictional prose in Hindi. Based on the analysis of two short stories by the prolific Dalit writers Omprakash Valmiki and Jaiprakash Kardam, it is argued that the contributions of Dalit literature arise today not only in the context of a social movement, but are increasingly apparent through the development of a new, hybrid melodramatic-realist literary aesthetic. New critical scholarship of Dalit literature in India is therefore needed to appreciate the ongoing expansion of such forms of literature across linguistic and geographical regions in India as a postmodern sphere of subaltern social protest. Such fresh analytical attention to Dalit strategies of artistic expansion and literary growth will undoubtedly enliven the hitherto largely bland sociological conversations about Dalit literature.
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| 3 |
ID:
175481
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| Summary/Abstract |
This collection brings together nine essays, accompanied by nine short translations, that redraw the boundaries of literary histories both temporally and spatially. The essays, rooted in the humanities and informed by interdisciplinary area studies, explore multiple linkages between forms of print culture, linguistic identities and diverse vernacular literary spaces in colonial and post-colonial South Asia. The essays and translations foreground complex and politicised expressions of gender and genre in fictional and non-fictional print materials and thus draw meaningful connections between the vernacular and literature, the everyday and the marginals, and gender and sentiment. Collectively, they expand vernacular literary archives, canons and genealogies, and push us to theorise the nature of writing in South Asia.
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| 4 |
ID:
175490
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| Summary/Abstract |
This essay considers the methodological intervention of understanding a ‘mother tongue’ (matribhasha) as a gendered vernacular. It seeks to illustrate the subversive potential of the vernacular as a gendered lens though which we can understand the Dalit feminist critiques of caste hierarchies and Dalit and non-Dalit patriarchies, and the places they intersect. The essay considers the works of Anita Bharti and Meena Kandasamy, contemporary Dalit women authors who write in Hindi and English, respectively. Thus, this paper extends the definition of the vernacular beyond the confines of linguistic and regional specificity, allowing for a feminist reclamation of the term.
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