| Publication |
Fall 2010.
|
| Summary/Abstract |
This essay aims to rethink and remap contemporary Chinese cinema studies. In Past few years there have been many new developments and experiments in the films scenes of mainland China, Taiwan and Hong Kong, and the Chinese film industries are undergoing dramatic restructuring. The author argues for an understanding of "Chinese cinema" in close reference to the recent advent of global cinema. Such understanding also has to take into account the internal stratification among various film practices no longer organized only according to its specific culture
Geography (mainland, Taiwan, and Hong-Kong) but also according to different modes of Filmmaking and different sectors.
|