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BAADER - MEINHOF (3) answer(s).
 
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1
ID:   099979


Artist and the terrorist, or the paintable and the unpaintable: Gerhard Richter and the Baader-Meinhof group / Danchev, Alex   Journal Article
Danchev, Alex Journal Article
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Publication 2010.
Summary/Abstract This article is offered as a small demonstration of what art has to say about terror and violence. It focuses on the German artist Gerhard Richter and his cycle of paintings on the life and death of the homegrown terrorists of the Baader-Meinhof group, October 18, 1977 (1988). Following Richter, it explores whether atrocity is "paintable." It investigates the encounter between the artist and the terrorist and proposes that Richter's is a profound exploration of terror and counterterror in the contemporary world.
Key Words ART  Terror  Richter  Baader - Meinhof 
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2
ID:   123059


Beauty and the beast: Jean-Paul Sartre and the Baader-Meinhof Gang / Seidler, Meir   Journal Article
Seidler, Meir Journal Article
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Publication 2013.
Summary/Abstract The article deals with the intellectual and philosophical background of Sartre's thought, which made him susceptible to the influence of left-wing totalitarian structures in general and to left-wing terrorism in particular. Consequently it is argued that Sartre's identification with Stalinism in his younger years, and his later sympathies with the infamous German Baader-Meinhof terrorist gang, were more than mere expressions of his personality, but rather part and parcel of his special blend of existentialism and philosophy. At the end of the article, Sartre's position in this matter is contrasted with the position of another existentialist French thinker, Sartre's contemporary, Albert Camus.
Key Words Terrorism  Intellectuals  Stalinism  Baader - Meinhof  Red Army Faction  Baader 
Meinhof  Sartre  Urban Guerilla 
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3
ID:   124920


Beauty and the beast: Jean-Paul Sartre and the Baader-Meinhof gang / Seidler, Meir   Journal Article
Seidler, Meir Journal Article
0 Rating(s) & 0 Review(s)
Publication 2013.
Summary/Abstract The article deals with the intellectual and philosophical background of Sartre's thought, which made him susceptible to the influence of left-wing totalitarian structures in general and to left-wing terrorism in particular. Consequently it is argued that Sartre's identification with Stalinism in his younger years, and his later sympathies with the infamous German Baader-Meinhof terrorist gang, were more than mere expressions of his personality, but rather part and parcel of his special blend of existentialism and philosophy. At the end of the article, Sartre's position in this matter is contrasted with the position of another existentialist French thinker, Sartre's contemporary, Albert Camus.
Key Words Terrorism  Intellectuals  Stalinism  Baader - Meinhof  Red Army Faction  Baader 
Meinhof  Sartre  Urban Guerilla 
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