| Publication |
2010.
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| Summary/Abstract |
Rather than reading the work of Richard K. Ashley as iconic - as some dead, stable image used to signify the whole of post-modern or post-structural International Relations (IR) in a single swoop - this article considers Ashley's work as an interruption to the discipline of IR (mainstream and critical). In so doing, the article suggests that what is important about Ashley's work is how it creates a thinking space where it is possible to think again about international politics, about international theory, about what Ashley's interruption itself permits and limits and about how this interruption unfolds and sometimes folds back on itself.
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