| Srl | Item |
| 1 |
ID:
129920
|
|
|
| 2 |
ID:
171298
|
|
|
|
|
| Summary/Abstract |
Tracing his encounters with one particular song during fieldwork on queer nightlife in Bangalore, the author argues for the usefulness of ethnography as a critical method for studying dance and other modes of fun, play and pleasure in South Asia. He argues that ethnography’s many modes (co-performance, interview, observation, auto-ethnography) evidence how expressive practices integrate into the multiple strata of everyday life and political-economy, and how these cultural expressions facilitate inventions of new selves and worlds. While popular, improvised and social dances are challenging to study given their ephemerality, ethnography deepens our understanding of them and allows us to engage in creative dialogue in fieldwork.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 3 |
ID:
114655
|
|
|
|
|
| Publication |
2012.
|
| Summary/Abstract |
This paper focuses on the discursive notion of participation central to two discourses, democracy and development. The contemporary rhetoric of development not only opens up the market for the economic progress of developing nations, but also demands a change in the political structure to facilitate the process. Thus, democracy is recruited as collateral for development, which theoretically improves the participation of the target population. However, my ethnography in Bangalore-the Silicon Valley of India-shows that the new middle class is partaking of development projects to reclaim participation solely for democracy. As a 'reassemblage', participation is employed to reconfigure democracy and development along different political axes. I present a public water supply project to describe the boundaries between the two discourses, arguing that they are drawn internally rather than externally.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 4 |
ID:
102299
|
|
|