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| Srl | Item |
| 1 |
ID:
105195
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| Publication |
2010.
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| Summary/Abstract |
What does the furor over the "politicization" of Coretta Scott King's funeral reveal about contemporary black mourning practices? What does it reveal about black political thought, rhetoric, and practice? Identifying two key modes of mourning and their concomitant conceptions of democracy, this article situates the funeral within a tradition of self-consciously political responses to loss that played a significant role in abolitionism and the struggle for civil rights. Tracing the tradition's origins, and employing the speeches of Frederick Douglass as an exemplar, it considers the approach's democratic value and the consequences of its failure. Arguing that the response to the King funeral indicates that the tradition is in decline, the article locates causes of this decline in significant changes among the black population and in the complex consequences of the tradition's previous successes. It concludes by considering the decline's potentially negative impact, both for African Americans and for the broader political community.
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| 2 |
ID:
116449
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| Publication |
2012.
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| Summary/Abstract |
The New Orleans Katrina Memorial is located at the upper end of Canal Street, an inexpensive and relatively short trolley car ride from the city's tourist hub in the French Quarter. Despite its ease of access, and close proximity to the more famous cemeteries to which tourists regularly make pilgrimage, the memorial is little visited and largely unknown, even to many of the city's own residents. In this it stands in stark contrast to the National September 11 Memorial in Lower Manhattan, which drew its millionth visitor less than four months after its opening on September 12, 2011. Recent work in political theory on memory, mourning, and memorialization-as well as Ancient Greek concerns about the same-point to the ways in which the manner of remembrance, grieving, and commemoration employed by a democratic polity help to shape political outcomes. In what follows, I trace the history and design of the New York City and New Orleans memorials to suggest the ways in which they embody and perpetuate national strategies of remembrance and forgetting, in which injustices perpetrated against the polity are prioritized over injustices perpetrated within it. Drawing on John Bodnar's distinction between national and vernacular commemoration, I nevertheless conclude with a counter-intuitive suggestion: that while on a national level the public's relative ignorance of the Katrina Memorial is indeed indicative of a polity more concerned with injustices perpetrated against it than within it; on a local level the erection and subsequent forgetting of the Katrina Memorial is a manifestation of a mode of vernacular memory, mourning and commemoration with far more democratically-productive potential than its counterpart in New York City. In particular, I argue that it cultivates, and historically has cultivated, a more forward-looking, progressive, and polyphonic response to loss than the type of dominant national narratives embodied by the 9/11 Memorial. Whereas the latter continually replays the loss in ways that rob the polity of its capacity to move beyond its initial response, the former acknowledges and incorporates the loss while steeling the community for the challenges ahead.
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