| Summary/Abstract |
Aniconism in Islam is one of the obvious presumptions of researchers in the history of Islamic arts. The main question addressed in this study is: What are the conceptions of people living in the earlier centuries of Islam regarding the issues of image and figural art? Or, in broader terms: What is the issue of animal or human representation in art which led to aniconism being enshrined in fiqh (religious jurisprudence)? Drawing upon primary sources, the study establishes that the Muslim mindset of image and figurative art in the early centuries of Islam—traced back to an old belief in the Persian, Egyptian and Ancient Palestinian civilizations—mainly pertained to the images which used to constitute the major elements of sorcery and talismans. Accordingly, aniconism did not proscribe images as aesthetic elements which also serve as the foundations of visual arts; rather, it was pitted against the practice of magicians and talisman makers. The genesis and perpetuation of aniconism in Islam are, therefore, associated with the cultural mentality of magic and talismans in step with the Quran’s explicit stance against polytheism and idolatry.
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