| Publication |
2011.
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| Summary/Abstract |
In his memoir Istanbul, Orhan Pamuk argues that Istanbul is the site of intense hüzün (melancholy) caused by the loss of the Ottoman Empire. Furthermore, like other inhabitants of the city, that is, Istanbullus, his life is imbued with this inescapable melancholy. Taking issue with the apparent anachronism of Pamuk's historical argument, I show how he constructs and naturalizes this association between Istanbul, melancholy, and loss of empire by creating a literary genealogy for his claim. Using the Bakhtinian concept of chronotope (a schema that recognizes and explains the patterns of fusion of time, space, and emotion as thematic constellation or narrative pattern), I argue that what Pamuk identifies in and derives from the writings of his predecessors is the chronotope of Istanbul. I show how Pamuk constructs the hybrid literary canon and tradition (that references Balzac and Joyce as much as it does Beyatl? and Tanp?nar) in which he locates himself in the process of deriving this chronotope.
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