| Publication |
2011.
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| Summary/Abstract |
The political concerns underlying Mo Yan's creative work come to the fore in his latest novel, Frogs (Wa), which gives the reader an unusual perspective on the complex relations between fiction and politics. This novel harshly criticises a state whose coercive population control policies are responsible for some murderous consequences. This denunciation is also aimed at the economic ultraliberalism that is complicit with the totalitarian inheritance because of its destruction of human dignity through the alienation and commercialisation of the body. The complex symbolic structure of this work brings out the need for life itself to be rehabilitated in accordance with basic human rights and membership in the human community, and to be strongly defended against political attack and moral decay. Far from being an essentialist communitarian ethics, however, the bioethics proposed by the author offers the possibility of social reconstruction of the bios.
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