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| 1 |
ID:
113860
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2012.
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| Summary/Abstract |
This article examines significant evidence of recent Bollywood influence on the Western movie industry, particularly Hollywood, and explores the implications of such developments in the context of globalisation. Within the ongoing globalisation of entertainment, a process that does not automatically lead to cultural Westernisation and uniformisation, Bollywood has by now become both a symbol of Indian cinema's circulation all over the world and the embodiment of non-monolithic globalisation. Bollywood is evidently not a homogenising influence that forces non-Indian cultures to embrace its cinematographic or musical norms and practices. Rather, it creates new hybrids. The article offers a framework for explaining the growing cultural and economic changes and movements of such non-hegemonic spreading of popular culture and identifies future agenda for research.
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| 2 |
ID:
110932
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2011.
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| Summary/Abstract |
For many years, Iranian views of Britain have been unfavourable. Yet, perhaps counter-intuitively, very positive impressions of Britain were formed by the first small group of Iranians to visit London, nearly two hundred years ago. They commented on everything; constitutional monarchy, politics, foreign policy, economics, society and social issues. In many cases their views of Britain contrasted with their unfavourable views of their own country, reflecting an eagerness to see Iran emulate Britain and embrace Modernisation/Westernisation. Yet their views were not uncritical and they were as accurate and as well-founded as the views of Iran put forward by British observers of Iran like Curzon.
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| 3 |
ID:
113179
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2012.
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A common claim, in public discourses and in post-colonial theory, is that colonialism, and more recently the aid industry and the media, have created global hegemonic norms, which have been enforced on non-Western societies. While this may be true in some respects, this article takes a different stance on the debate. It scrutinises perceptions of Western-influenced social change in Uganda, and differentiates between discourses on Westernisation and discourses on neo-colonialism. Both are analysed as forms of social critique - one internally and the other externally oriented. The largely elitist discourse on neo-colonialism is explicitly critical of the West and its interventions in Uganda. But it is not representative of the more ambiguous perceptions of Westernisation among 'ordinary' people, who use references to the West to comment on contemporary Ugandan society. The article is based on empirical research in Northern Uganda. It focuses on discourses on gender, kinship and sexuality, and the recent debate on homosexuality.
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| 4 |
ID:
145668
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This article is a comparative study of two well-known Sufi orders, the Khaniqahi (Nimatullahi) and Haqqani (Naqshbandi). This is a preliminary work that draws on in-depth qualitative interviews to examine the process of self-representation and localisation of Sufism in Australia. Despite the fact that these Sufi orders each have established global networks and cyberspace presence, they also demonstrate strong local identities and indications of adaptation and appropriation. Recognised Sufi orders have historically operated through a complex local social network, often with links into local politics. This initial study, based on fieldwork analysis across Sydney and Melbourne, offers insight into the changing attitude of two contemporary Sufi orders of Australia on issues to do with religion, spirituality, consumerism and westernisation.
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| 5 |
ID:
150561
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| Summary/Abstract |
Against the backdrop of dominant Muslim presence, an aspiring middle class and the modernisation of Indonesia as an emerging market, we explore how a contemporary megachurch in Indonesia constructs a corporate identity and examine how ‘Western’ ideals and modernity influence organisational practices and communication in a religious setting. We deploy discourse analysis as our approach, which includes a critical reading and semiotic analysis of corporate artefacts to understand their underlying structures and discourse in enacting the corporate identity. We examine how discourses of self-empowerment, Westernisation and modernisation, business and nationalism coalesce to construct a marketable corporate identity for the megachurch. From this perspective, we argue that corporate identity is fluid and is shaped by meaningful choices taken to discursively construct a particular image for its intended audience(s).
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| 6 |
ID:
128905
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