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| Srl | Item |
| 1 |
ID:
136766
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| Publication |
Kolkata, Ramakrishna Math and Ramakrishna Mission, 2013.
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| Description |
8v. (lxiv, 652p.; xxviii, 738p.; xxi, 695p.; xix, 775p.; xxv, 839p.; xix, 550p.; xxxvi, 1068p.; xxxii, 1519p.)Hbk
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| Series |
Swami Vivekananda's 150th Birth Anniversary Publication
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| Contents |
Vol. I: The early phases (prehistoric, vedic and upanisadic, jaina, and buddhist) by Sarvepalli Radhakrishnan (8185843023)
Vol. II: Itihas, puranas, dharma and other sastras by S K De (ed.) (8185843031)
Vol. III: The Philosophies by Haridas Bhattacharya (ed.) (818584304X)
Vol. IV: The religions by Haridas Bhattacharya (ed.) (8185843058)
Vol. V: Languages and Literatures by Suniti Kumar Chatterji (ed.) (8185843066)
Vol. VI: Science and Technology by Priyadaranjan Ray (ed.) (8185843147)
Vol. VII: The arts by Kapila Vatsyayan (ed.) (8187332484)
Vol. VIII: The making of modern India (1765-1947) by Sukumar Bhattacharya (ed.) (9789381325018)
[8 vol.set - Combined ISBN 8185843015]
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| Standard Number |
8185843015
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Copies: C:8/I:0,R:8,Q:0
Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| 058131 | 954/CHA 058131 | Main | On Shelf | Reference books | |
| 058132 | 954/CHA 058132 | Main | On Shelf | Reference books | |
| 058133 | 954/CHA 058133 | Main | On Shelf | Reference books | |
| 058134 | 954/CHA 058134 | Main | On Shelf | Reference books | |
| 058135 | 954/CHA 058135 | Main | On Shelf | Reference books | |
| 058136 | 954/CHA 058136 | Main | On Shelf | Reference books | |
| 058137 | 954/CHA 058137 | Main | On Shelf | Reference books | |
| 058138 | 954/CHA 058138 | Main | On Shelf | Reference books | |
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| 2 |
ID:
115997
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| Publication |
Taipei, Taipei Culture Foundation, 2010.
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| Description |
207p.
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| Standard Number |
9789868665712
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Copies: C:1/I:0,R:0,Q:0
Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| 056944 | 709.540905/MIT 056944 | Main | On Shelf | General | |
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| 3 |
ID:
112645
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DelhI, Sundeep Prakashan, 1989.
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| Description |
xvi, 247p.Hbk
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| Standard Number |
8185067139
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Copies: C:1/I:0,R:0,Q:0
Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| 056456 | 934/VIB 056456 | Main | On Shelf | General | |
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| 4 |
ID:
187120
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| Summary/Abstract |
This article explores the impact of Japanese art and its techniques on the work of Nandalal Bose (1882–1966), one of India’s pre-eminent artists, by locating specific influences from leading Japanese artists of his era, with whom he had close associations during his lifetime. It builds a case for the argument that despite being a staunch advocate for indigenous aesthetics, the depth and versatility of Nandalal’s artistic oeuvre was rooted in his ability to absorb select practices from other artistic cultures, specifically the Japanese, enabling us to connect the origins of India’s modernistic art practices principally to him. The article draws attention to the stylistic and ideological learning that he acquired during interactions with master artists from Japan, including Yokoyama Taikan, Hishida Shunsō and Arai Kanpō and demonstrates the significance of these Japanese influences to both Nandalal’s artistic life and, as a direct result, to the stylistic direction taken by Indian art in the mid-twentieth century.
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| 5 |
ID:
113096
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| Publication |
2012.
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| Summary/Abstract |
Arjun Appadurai has argued that 'the materiality of objects in India is not yet completely penetrated by the logic of the market'.1
However, the entry and the visibility of modern and contemporary Indian art into the circuits of the global art world increasingly challenge this argument. The story of modern and contemporary Indian art is one of the inscription of local objects and their 'Indianness' into the above circuits, with market value being created inthe process. If the globalisation of the art world provides a conceptual and material arena where objects are circulated, displayed and bought and sold through auction houses, exhibitions, biennales and art fairs, this article analyses an event that epitomises some of the forces at play in this arena: the contemporary art exhibition 'The Empire Strikes Back: Indian Art Today' held in 2010 at the Saatchi Gallery, London. An artistic cum business instantiation of 'India in Europe'-and one that challenges the visual and aesthetic canons 'traditionally' associated with India-this article examines this exhibition as anentry point into the analysis of how neoliberal capital produces 'culture', and into the tension between the commodity form and the infinite possibilities, and unintended consequences, opened up by this very status.
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