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| Srl | Item |
| 1 |
ID:
134472
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| Summary/Abstract |
Nearly 15 years after 9/11, it is time to grapple with the way in which imperatives of preemption have made their way into routine security practice and bureaucratic operations. As a growing literature in security studies and political geography has argued, preparing for catastrophe, expecting the worst, and scripting disasters are central elements of contemporary, speculative security culture. One of the most-discussed findings of the 9/11 Commission Report was that US security services had insufficiently deployed their imagination to foresee and preempt the attacks. This article introduces a special issue that offers a range of in-depth empirical studies that analyse how the imperative of ‘routinizing the imagination’ plays out in practice across different policy domains. It deploys the lens of performativity in order to conceptualize and explain the materialization of preemption and its situated entanglements with pre-existing security bureaucracies. We detail the idealized traits of a ‘security of the interstice’, which include interoperability, emergence, flexibility and analytical foresight that are meant to bridge the perceived gaps of security spaces and the temporal bridges between present and possible futures. The lofty rhetoric of preparing for the worst and bridging the gaps encounters numerous obstacles, challenges and reversals in practice. As becomes clear through the notion of performativity, such obstacles and challenges do not just ‘stand in the way’ of implementation, but actively shape the materialization of preemption in different sectors.
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| 2 |
ID:
112738
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| Publication |
2012.
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| Summary/Abstract |
Photographers have become common targets of security practice in the public spaces of US and UK cities. The securitization of photography - where photographers are commonly stopped, questioned, told to surrender film or delete photos, and in some cases arrested - rests upon the invocation of a post-9/11 context and the preemptive security logics that characterize the 'war on terror'. Here, the spatio-temporality of the photograph and the photo-taking subject are in tension with preemptive security stances in which everyday, ordinary actions - such as photography - are rendered suspicious and worthy of potential intervention. Using examples of specific encounters between photographers and security personnel, this article interrogates the conduct of these interventions and the preemptive security stance that scopes ordinary actions and everyday urban spaces through flexible and dispersed acts. Finally, the article considers how this uncoordinated and dispersed practice travels across a wide variety of actors without clear, causal linkages. The practice is a mobile, circuitous one, and through its analysis the article argues for more attention to be paid to everyday, embodied, and dispersed practices of preemption.
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