| Srl | Item |
| 1 |
ID:
174506
|
|
|
|
|
| Summary/Abstract |
Han Han has attracted a significant amount of popular and scholarly attention since he rose to fame in 1999. While the majority of commentators have concentrated on his ambiguous position as rebel-meets-entrepreneur, this article considers the way in which masculinity is performed and constructed in the Han Han phenomenon. It discusses Han Han’s commercial appearances before turning to his debut film The Continent (2014). The article points to the recurring figure of the adventurous mobile man, demonstrating that this celebration of masculinity on the move is the result of global cultural influences, local traditions of manhood, and new market forces. Founded as it is on a conservative understanding of gender and mobility, Han Han’s performance and construction of masculinity cuts into his reputation as a “deviant genius,” demonstrating further ways in which his cultural rebellion is limited. In particular, this article highlights the ways in which his masculinity is constructed at the expense of women and non-hegemonic men.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 2 |
ID:
113705
|
|
|
|
|
| Publication |
2012.
|
| Summary/Abstract |
Civil society seems to be a dead issue in China because its formal aspects of mobilization and institutionalization are so tightly regulated by the party-state. This article looks to activities in and around the Shanghai World Expo (2010) to rethink the meaning of civil society and political action in China. Through an analysis of the Expo's national, theme, and corporate pavilions, it shows how Beijing is planning a harmonious future for China and the world. Yet alongside this unified future, it examines how Shanghai's citizen intellectuals - filmmaker Jia Zhangke, artist Cai Guoqiang, and blogger Han Han - are creating alternative futures. This multiple decentralized view of the future is an integral part of building alternative notions of civil society in China. The article thus has two goals: (1) to contrast official constructions of a unified harmonious future with citizen intellectuals' multilayered views of Shanghai's past-present-future; and (2) to explore how citizen intellectuals are creating a new civil society that can build alternative futures.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|