| Publication |
2012.
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| Summary/Abstract |
In the late nineteenth century, Qajar Iran, like its neighbor the Ottoman Empire, faced the dual challenges of colonialism and modernity. This paper considers the role of art education and art production in its response to these forces, focusing on the leading court painter of the late Qajar period, Mirza Muhammad Ghaffari, Kamal al-Mulk (1848-1941), whose career bridged the late Qajar period and the early twentieth century. Early in his career, Ghaffari was recognized as the leading exponent of academic painting, yet by the constitutional period his art had evolved into a style representing contemporary Persian life, a style which was informed by nationalistic discourses current in intellectual and political circles. This paper's consideration of the evolution of his style from a European modernism to an authentic Iranian modernism includes Ghaffari's training as a painter, the role of photography in the development of his style, his travel to Europe, and parallels with the art and career of the Ottoman painter Osman Hamdi.
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