| Publication |
2012.
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| Summary/Abstract |
This article examines the subtle and not so subtle shifts in Canadian political culture that have taken place in, through and alongside the so-called 'return' of the Canadian warrior. It begins from the contention that while the racialised dimensions of the post 9/11 Canadian security state have been well analysed elsewhere, the gendered dimensions have not been fully explored. This article explores the re-emergence of a sacrificial imaginary in Canadian culture through an examination of seemingly irreconcilable accounts that have emerged of the Canadian security state - one that reads 'Canada' through the story of the torture and repatriation of Canadian citizen, Maher Arar, and one that tells the story of 'Canada at War' through the warrior's return. It examines both in terms of the tensions and instabilities they reveal in the Western liberal imaginary and in terms of the ways in which they collectively operate to redefine the aesthetic borders of the Canadian political community. The article argues that the sacralisation of violence which has refound this political community has been enabled by a remasculinised aesthetic that delimits the 'progressive liberalism' which animated the Canada of Old - ostensibly in order to protect it.
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