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ISRAELI HISTORY (3) answer(s).
 
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ID:   161392


advertising industry as a dynamic environment: the Israeli case / Roth-Cohen, Osnat   Journal Article
Roth-Cohen, Osnat Journal Article
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Summary/Abstract Despite its importance in modern daily life, the history of the advertising industry in Israel has elicited little scholarly interest. This article seeks to fill this lacuna by offering the first comprehensive survey of Israel’s advertising industry from its early beginning in 1863 to the present day, while identifying four distinct phases in this process (1863–1922; 1922–1960; 1960–1993; 1993 to the present). It also suggests a theoretical model of influencing factors and processes that shaped – structurally and functionally – the development of this industry.
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2
ID:   138333


International community’s role in Israeli history / Schenker, Hillel   Article
Schenker, Hillel Article
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Summary/Abstract The fact that after over 20 years of fruitless negotiations the Palestinians have chosen an internationalization strategy to try to achieve national independence is considered by the current Israeli government and its supporters to be illegitimate “unilateral action” that bypasses the need for bilateral negotiations with Israel to resolve the conflict. What those opponents of internationalization are conveniently forgetting is the major role that internationalization has played in Israeli history.
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3
ID:   118538


Israeli art music: a reintroduction / Shelleg, Assaf   Journal Article
Shelleg, Assaf Journal Article
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Publication 2012.
Summary/Abstract Israeli art music reveals that the soundtrack of Israeli history is greater than the sum of its parts, which usually include popular and folk music genres. Surveying the development of Israeli art music from the late 1930s to the 1970s, this article attempts to transcend the periodic partitions that characterize the field's historiography, which has had little contact with recent historical and historiographic shifts in the study of Israeli history. Focusing on four synchronous vectors-namely, processes of autoexoticism, asymmetrical musical borrowing, the post-statehood dilution of national sentiment, and the post-67 reemergence of Jewish musical idioms-the article guides the reader through the dissolution of national art music and its post-statehood stratifications.
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