| Publication |
2013.
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| Summary/Abstract |
For over three months in 2009 demonstrations took place in front of the Georgian Parliament on Rustaveli Avenue in Tbilisi, the capital of the Republic of Georgia. The protest involved a unique production of urban space as makeshift prison "cells" were placed in the landscape. The cells emerged following calls by the host of a popular reality television show, Cell #5. In order to illustrate the multiple meanings that people have of terrains of resistance, I highlight three dominant associations that people attributed to the cells: the prison metaphor; a public nuisance; and a spectacle. This case clearly exemplifies how popular culture will not only impact people's geopolitical understandings of the world but can directly alter the landscape and transform and encourage oppositional politics in a direct and immediate manner.
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