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ID:
122908
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| Publication |
2013.
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| Summary/Abstract |
In recent years, transnational Chinese investors from the Greater China region have been seeking natural and mineral resources in foreign countries. This paper focuses on a mineral-rich region in the Philippines where China's resource-led diplomacy was first launched in 2007. Although foreign Chinese mining companies have made inroads into mineral-rich local communities, they have also encountered resistance from non-state actors, causing their operations to be disrupted and suspended. The authors argue that the local reception of China's resource-led diplomacy can be attributed to two factors. First, in light of the debate on 'China's globalization versus South East Asian state sovereignty', the growing strength of the Philippine state in resisting transnational mining endeavours hinges on the democratic space constituted by both state and non-state actors, resulting from political decentralization and active social activism. Second, it shows that the transnational Chinese actors have an insufficient knowledge base, in which they privilege a top-down state-centric approach that reinforces the patrimonial rule of the Philippine politicians. The authors conclude, first, that such patrimonial rule is largely made possible through the provincial governor as the key agent connecting the national state authority, local government units, mining operators/investors and the affected villagers. Second, local resistance to resource-led patrimonial rule hinges on the formation of Philippine democratic space. This space remains transient and unpredictable in nature, and so cannot be assimilated into the patrimonial character of the Philippine state. Such democratic struggle is like wind, thunder and lightning - hard to chase, hard to catch.
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| 2 |
ID:
159317
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| Summary/Abstract |
This article examines the development of the Chinese film industry in this century and its socioeconomic context. The rising popularity, attendance and number of movie theaters in China have been accompanied by bigger investments in the foreign film industry, as well as improvements in the production and distribution of films in the country. In addition growing Chinese influence in the world film industry is a component of China's soft power strategy.
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