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VISUAL REPRESENTATION (2) answer(s).
 
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ID:   123139


Imaging North Korea: exploring its visual representations in international politics / Shim, David; Nabers, Dirk   Journal Article
Nabers, Dirk Journal Article
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Publication 2013.
Summary/Abstract North Korea puzzles many observers. Mostly, it is referred to as the most isolated country in the world, being a timeless mystery, enigma, or terra incognita. While these characterizations reveal the presupposition of a genuine void of knowledge concerning the assessment of North Korean state affairs (however, without preventing scholarship from producing, compiling and depending on information regarding North Korea), they also point to the significance in filling this knowledge gap. The article argues that images play an important role in this operation and provides a discussion of selected photographic essays and single images depicting North Korea. Images work; they do something by evoking a particular perspective of what is shown in them allowing only specific kinds of seeing. Relating the viewer and the viewed in ways that determine what or who is (in)visible, images create boundaries and difference which, in turn, affects who "we" and "they" are.
Key Words North Korea  Identity  Visual Representation  Synecdoche 
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2
ID:   154104


Picturing pasargadae: visual representation and the ambiguities of heritage in Iran / Mozaffari, Ali   Journal Article
Mozaffari, Ali Journal Article
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Summary/Abstract This paper probes the relationship between visual representations and visitation practices at Pasargadae, a UNESCO World Heritage site in southern Iran. Presenting a systematic analysis of publicly available online images of Pasargadae, the paper examines the complex relationship between the place and its visual representations. Through analysis, the paper elaborates on a sense of intimacy that, while grounding Pasargadae, is also a potential common ground in pre-Islamic heritage in which the Iranian state and society could at once meet and contest versions of identity. Examining this relationship facilitates reflections into both heritage and the peculiarities of its visual representation in the Iranian context.
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