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NATIONAL IMAGINARY (2) answer(s).
 
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ID:   123711


Border as a marker of territoriality: multi-scalar perspectives and multi-agent processes in a south American borderland region / Brusle, Laetitia Perrier   Journal Article
Brusle, Laetitia Perrier Journal Article
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Publication 2013.
Summary/Abstract This paper considers the film Frozen River (2008) for the purpose of considering how the US-Canadian border is dramatised within the context of two women caught up in a illicit trading of migrants via a Native American Reservation. Re-calibrating more mainstream Hollywood's fascination with the United States' southern border, Frozen River usefully focuses attention on two areas that deserve further reflection namely the materiality of borders and border crossings and biopolitics. The paper concludes with some reflections on how borders, biopolitics, dispossession and sovereignty need further theorization by political geographers and other scholars.
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2
ID:   166898


From Haifa to Ramallah (and Back): New/Old Palestinian Literary Topography / Eqeiq, Amal   Journal Article
Amal Eqeiq Journal Article
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Summary/Abstract This article explores border crossing and the Palestinian city as a literary metropolis—two major themes in the works of emerging Palestinian novelists in Israel. It looks at the “re-Palestinization” of urban space by writers who belong to a post-Oslo generation of Palestinian intellectuals that left villages and small towns in Israel to go and study, work, and live in the city. What distinguishes the literature of this generation is its negotiation of border crossing in a fragmented geography and its engagement with the city as a space of paradoxical encounter between a national imaginary and a settler-colonial reality. Based on a critical reading of their works, the article argues that Adania Shibli and Ibtisam Azem challenge colonial border discourse, exposing the ongoing Zionist erasure of the Palestinian city and creating a new topography for Palestinian literature. The article also traces the role of these writers in the “twinning” of Haifa and Ramallah starting in the late 1990s, and it examines how this literary and cultural “sisterhood” informs spatial resistance.
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