| Publication |
2013.
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| Summary/Abstract |
This article details the development of Indonesian national art theatre in Makassar, South Sulawesi from the 1950s to the present. It argues that through a commitment to modernity and modern aesthetics strong bonds to the idea of the nation were formed by Makassar theatre workers. Furthermore, in charting the relationship between local Makassar theatre and national trends often pioneered in Jakarta, I argue that beginning in the New Order and continuing to the present, through several formal and stylistic changes, the deployment of local cultural elements in modern Indonesian national theatre has deepened. Yet this development represents both a renewed pride in local identity and a continuing commitment to the national community.
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