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| Srl | Item |
| 1 |
ID:
188229
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| Summary/Abstract |
This essay is a translated and edited version of the Anis Makdisi Program in Literature lecture delivered by the author in May 2021. The talk, on the uprising sweeping every Palestinian geography from the river to the sea, was constructed as a series of illustrative stories. Their distillation, as Khoury points out, is that there will be no end to the Palestinian question so long as there exists a people continually prepared to resist the ongoing Nakba. “It is enough,” Khoury concludes, “that with this uprising Palestine has recovered the alphabet, leaving us to create a new idiom.”
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| 2 |
ID:
128064
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| Publication |
2013.
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| Summary/Abstract |
This essay on Ghassan Kanafani-militant, political writer and essayist, literary innovator, and preeminent Palestinian novelist-is another in what JPS hopes will become an ongoing, if occasional, series foregrounding individuals (some known, others unknown to the outside world or forgotten) who embody some dimension of the Palestinian Resistance in the early years of its existence. Several such pieces have appeared in recent issues of JPS, notably "Two Portraits in Resistance," commemorating two remarkable figures who left other lives to serve the movement, published in JPS 164, and the landmark 1996 interview with Palestinian poet Mahmoud Darwish, published in JPS 165.
Though less of a household name than the slightly younger Darwish, Kanafani, assassinated in 1972 at age thirty-six by a Mossad bomb planted in his automobile, was known during his lifetime in almost equal measure for his political work and writings and for the novels and short stories that today constitute his enduring legacy. In this evocative remembrance of Kanafani written on the fortieth anniversary of his death, Lebanese novelist Elias Khoury treats the two strands, literary and revolutionary, as inextricably intertwined, two sides of the same coin. The piece was originally published in Arabic in JPS's sister publication, Majallat al-Dirasat al-Filastiniyya, no. 92, autumn 2012, and translated for JPS by Maia Tabet.
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