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POLITICAL CINEMA (2) answer(s).
 
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ID:   129556


Turkish Rambo going transnational: the polarized reception of mainstream political cinema among the Turkish diaspora in Belgium / Smets, Kevin   Journal Article
Smets, Kevin Journal Article
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Publication 2014.
Summary/Abstract National identity has become a key theme in discussions about the Turkish media. Yet this is a topic less studied in the field of diasporic media studies. This article takes up the issue of political cinema and its reception among the Turkish diaspora. Through the example of the Valley of the Wolves (Kurtlar Vadisi) franchise, this article discusses how facts, fictions and geo-political motives converge into political cinema. Reporting on a mixed-method audience research that includes surveys, in-depth interviews, focus groups and participant observation among the Turkish community of Antwerp, this article describes the highly polarized reception of Valley of the Wolves among the diaspora.
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2
ID:   142613


Z and other cinematic tales from the 30-year Greek civil war / Eleftheriadou, Marina   Article
Eleftheriadou, Marina Article
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Summary/Abstract Greek cinema has documented and debated the civil war and its repercussions under different angles, largely defined by censorship, the general political climate, and cinematic trends. This article, first, offers a retrospective that traces the evolution of Greek cinema's ‘takes’ on the civil war vis-à-vis the political changes. Second, it provides an in-depth analysis of Costas Gavras’s film Z, examining its relevance to Greece and how political conflict, in general, is cinematically depicted. The article argues that Z and Gavras’s cinema have been affected and have affected the Greek political situation. However, while Z has spearheaded an international cinematic genre (political thriller), it had minimal effect on the Greek cinema.
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