| Publication |
2014.
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| Summary/Abstract |
This paper attempts to revise aspects of the existing interpretations of Nie Hai Hua (A Flower in a Sinful Sea) by applying perspectives from post-colonial studies to the study of this late Qing Chinese novel. Here the novel is read as a national narrative that portrays the emergence of China as a modern nation state from a decaying empire, with its intelligentsia caught between their desire to embrace modernity and nostalgia for cultural traditions. From the mid-nineteenth century to the early twentieth century, traditional Chinese scholars were faced with a predicament: they were lured by the modernity represented by Western learning, on the one hand, but were tied by an emotional link to Chinese tradition, on the other. In a disintegrating society, they struggled both to preserve their own cultural identity and construct a new identity. The opposing groups of Chinese literati portrayed in the novel in fact reflect the schizophrenic state of the Chinese consciousness on the threshold of modernity.
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